The Seattle Symphony is set to transform Benaroya Hall during Spring 2025, offering a lineup that spans from powerful classical masterpieces to family experiences. From March through April, music lovers of all ages will have the opportunity to experience a diverse array of performances showcasing both beloved classical compositions and innovative programming. The carefully curated season demonstrates the Symphony’s commitment to artistic excellence while making classical music accessible to audiences across the community.
At the core of this spring schedule is a balance between iconic orchestral works and special events designed to appeal to both seasoned symphony patrons and newcomers. The programming reflects Artistic Director Thomas Dausgaard’s vision of presenting classical masterworks in their full glory while also creating entry points for audiences new to orchestral music. With ticket prices ranging from $30 for family concerts to $142 for premium seating at marquee performances, the Seattle Symphony continues its tradition of offering high-caliber musical experiences at various price points to serve the entire Seattle community.
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From March 27-30, audiences will experience Holst’s “The Planets” presented as “An HD Odyssey,” featuring stunning visuals that enhance the cosmic journey of this suite. The performance will also showcase Billy Childs’ “Diaspora: Concerto for Saxophone and Orchestra,” bringing contemporary voices into conversation with Holst’s early 20th-century masterpiece. April brings two more classical highlights: celebrated blind pianist Nobuyuki Tsujii performing Rachmaninov’s technically demanding Piano Concerto No. 3 (April 3-6), paired with Brahms’ Symphony No. 4, followed by Dvořák’s universally beloved “New World” Symphony (April 10-11), presented alongside works by Bartók and Raymond Yiu.
A special highlight of the spring season will be Disney’s “Fantasia” in Concert, running March 21-23 at Benaroya Hall. This presentation brings the magic of Disney’s groundbreaking 1940 animated film to life as the Seattle Symphony performs the iconic soundtrack live while scenes from the classic animation play on the big screen. Audiences will enjoy hearing Tchaikovsky’s “The Nutcracker Suite,” Dukas’ “The Sorcerer’s Apprentice,” and Beethoven’s Fifth Symphony perfectly synchronized with Disney’s beloved visuals.
The “Fantasia” concerts represent the Symphony’s ongoing commitment to presenting film music alongside traditional classical programming, creating accessible entry points for families and casual listeners while maintaining artistic integrity. With tickets ranging from $56-$125, these performances offer an opportunity for multiple generations to experience classical masterworks in a fresh, engaging context. The Symphony has seen growing popularity for its film concert series, which has previously included scores from Harry Potter, Star Wars, and other beloved cinematic franchises.
Family Concerts
Families with young children will find several offerings designed specifically for younger audiences throughout the spring season. The Family Concert “A Trip to Outer Space,” scheduled for March 22, invites the whole family on a musical journey beyond our planet. Priced at an accessible $30 ($20 for students and seniors), this hour-long program provides the perfect introduction to orchestral music for children while thematically connecting to the Symphony’s presentation of Holst’s “The Planets” later that same month.
For the youngest music lovers, the Symphony’s popular Tiny Tots series returns with “The Winds: Planes, Trains, & Musical Games” on April 4-5. This program, designed for children ages 0-5, has already proven so popular that all four performances are currently sold out—a testament to the Symphony’s successful outreach to families with young children. These 45-minute interactive concerts introduce little ones to the wind family of instruments through transportation themes and musical games, fostering early appreciation for orchestral sounds in a relaxed, age-appropriate setting where movement and response are encouraged rather than restricted.
